This is a good article. Follow the link for more hal leonard guitar method book 1 pdf download. The slide may be a metal or glass tube like the neck of a bottle. The strings are typically plucked while the slide is moved over the strings to change the pitch.
The “diddley bow” is believed to be one of the ancestors of the bottleneck style. With the “slack-key” the Hawaiians found it easy to play a three-chord song by moving a piece of metal along the fretboard and began to play the instrument across the lap. The bar was called the “steel” and was the source of the name “steel guitar”. Kekuku popularized the method and some sources claim he originated the technique. In the first half of the twentieth century, this so-called “Hawaiian guitar” style of playing spread to the US. Hawaiian guitarist who in 1919, at age 17, came to the US mainland from Hawaii as a stow-away on a ship heading for San Francisco.
Hoopii’s playing became popular in the late 1920s and he recorded songs like “Hula Blues” and “Farewell Blues”. According to author Pete Madsen, ” would influence a legion of players from rural Mississippi. African origin handed down to African-American sharecroppers who sang as they toiled in the fields. 1903, when a blues player performed in a local train station: “As he played, he pressed a knife on the strings of the guitar in a manner popularised by Hawaiian guitarists who used steel bars. Hawaiian guitarists of the beginning of the century, and he managed to adapt their sound to the blues.
Oscar Woods, adopted the Hawaiian mode of playing longer melodies with the slide instead of playing short riffs as they had done previously. The bottleneck-style was typically associated with blues music and was popularized by African-American blues artists. Guitar Blues” and “Guitar Rag”. Tampa Red and Casey Bill Weldon. 1930s, it allowed solos on the instrument to be more audible, and thus more prominently featured. This allowed them switch between slide and fretted guitar playing readily, which was an advantage in rhythm accompaniment.
He performed on acoustic guitar in a style influenced by Tampa Red. Nighthawk’s sound was extremely clean and smooth, with a very light touch of the slide against the strings. Nighthawk is credited as one who helped bring music from Mississippi into the Chicago blues style of “electric blues”. Hooker had developed an advanced style of his own. 1960s to further emulate the human voice. Robert Johnson’s 1936 song, “I Believe I’ll Dust My Broom”. He was also one of the pioneers of electric slide guitar.