4, 5 and 6-note systems were employed to cover the octave. French “solfège” ultimately derive the kodaly method pdf the names of two of the syllables used: sol and fa. However, there is no documentary evidence for this theory. Medieval Latin “solmisatio”, ultimately from the names of the syllables sol and mi.
The use of a seven-note diatonic musical scale is ancient, though originally it was played in descending order. A seventh note, “si” was added shortly after. So that these your servants can, with all their voice, sing your wonderful feats, clean the blemish of our spotted lips, O Saint John! England and its related territories used only four of the syllables: mi, fa, sol, and la. Mi” stood for modern si, “fa” for modern do or ut, “sol” for modern re, and “la” for modern mi. Then, fa, sol and la would be repeated to also stand for their modern counterparts, resulting in the scale being “fa, sol, la, fa, sol, la, mi, fa”.