Access from your The sewing bible for clothes alterations pdf was disabled by the administrator. This glossary contains a number of recurrent terms found on the present site which may not be clear to all readers, especially when employed within the context of an art discussion.
Some of these terms, signaled by an icon of the Vermeer’s monogram and signature, are also discussed as they relate to specifically Vermeer’s art. Each of the four sections of the glossary can be accessed from the menu top of each page of the glossary entries. Vermeer’s art, is represented in five other pictures of the 1660s and 1670s. The fact that the painter would have so willfully distorted the garment’s folds but so carefully attended to the positions and shapes of the spots, which perhaps even Vermeer’s wife would never have noticed, is somewhat perplexing. Yellow was seen as a “cooler color” and was valued slightly less than red because it was not quite gold.
Dutch interior paintings of the 1650s and 1660s, it must have been a popular but elegant daily wear for ladies of middle class, adapted for both indoor and outdoor use. Historians of costume tell us that the spotted fur trim of Vermeer’s jacks was probably not precious ermine but cat, squirrel or mouse decorated with faux spots. In fact, even in the inventories of the wealthiest women, ermine is never mentioned. Collars began to be trimmed in the 1660s. Since different individuals perceive it differently, it is not a rational value. French phenomenon and to belong purely to the realm of the literary. Montaigne, Shakespeare, Descartes, Corneille, and Pascal alongside some of their lesser-known contemporaries can be a tied to it.